Spectre (Shttps://youtu.be/ujmoYyEyDP8
James Bond (Daniel Craig) is sent on a rogue mission to Mexico City and then Rome, where he meets Lucia Sciarra (Monica Belluci), the beautiful and forbidden widow of a ruthless mafia. Bond infiltrates a top-secret meeting and learns about S.P.E.C.T.R.E., a hazardous organization. The traditional thriller shots are utilized to support the assumption that it is a thriller. There are numerous establishing shots of the protagonist throughout the trailer, including as one where Bond is striding through the office (0:24).
Thriller shots
To support the fact that it is a thriller, the typical thriller shots are included. Throughout the trailer, there are many establishing shots of the protagonist, for example in one clip where Bond is walking through the office (0:25). What is seen in this scene is a shot of Bond walking through the office while a office worker looks at Bond in awe. This would mean that bond has a high reputation within the office and he is well respected by everyone there. The dominant walk gives a feeling towards the audience that Bond is about to do something, with a still and serious face, there is something on his mind which adds on to the thriller experience.
Thriller editing
Since it is a thriller, fast pace edits are included throughout the trailer. As shown in the clip from (1:06 - 1:15). What is scene in the video clip, is that the Bond girl is in risk and there is a montage of face pace edits shown to show the action clips, this would make the audience feel intrigued to watch the movie and the action, making them be on the edge of the seat.
Thriller mise-en-scene
The mise-en-scene plays an important role in thriller films, as evidenced by the city's location in the film (0:03). An urban festival in Mexico, where the protagonist is based, is depicted, as is common in many thriller films. The setting is frequently seen as a convention that enhances the thriller experience by telling the audience where the action thriller is set, creating a sense of suspense, and keeping them on the edge of their seats.
Thriller Sound
The sound can play a important part in thriller films, as denoted throughout the trailer (0:10 -0:20), the iconic Bond theme song is played to engage the audience, these often exaggerate the trailer making the audience feel more aware of the movie.
Wraith of man https://www.youtube.com/watch?v=EFYEni2gsK0
For the most part, H is a mysterious character who starts working for a cash moving truck company in a large way. He's notorious for dispatching robbers with remarkable skill and precision, which is extremely impressive. H, on the other hand, is expressly seeking vengeance, emphasising how H is an enigmatic figure who begins working for a cash moving truck company, or so they thought.
Thriller shots
To add to the fact that it is an action thriller, thriller shot types play a large part in this. There are close up shots of the antagonist at (0:01). A close-up is an emotional moment in which the viewer is drawn in and a character's innermost thoughts are depicted. This gives the impression that the viewer is a part of the action.
Thriller editing
Throughout the trailer, there are fast paced edits, to add support the fact that it is an action thriller. From (0:12) to (0:14) there are faced paced shots of a break in. It can be used to convey a lot of information fast, or to represent energy or chaos. This can make the viewer feel engaged towards the action.
Thriller Mise-en-scene
Towards the end of the trailer, where the thrills and suspense are amplified, lighting is used to support this. From (2:20) to (2:25), here is shown a low lighting to support the antagonists thoughts and visions, Shadows are created using low-level lighting in order to elicit anxiety and tension in the audience.
Thriller Sounds
Within the tralier, gun shots are often played, to connote that the movie is an action thriller. This is clearly shown from (2:00) to (2:30). The shot gives the spectator a wider view and can be used to demonstrate direction and that the subject is moving, to emphasise unique relationships, or to reveal elements outside the character's awareness to the audience.
